From what I’ve read in books about Asperger’s Syndrome and girls, it appears that there is a measurable difference between boy and girl geeks. Boy geeks tend to focus mostly on numbers. Girl geeks apparently divide their focus between numbers and language.
That describes me pretty well even today, when I’m trying to divide my time between keeping up with theoretical physics, expanding my website, working on this blog, and writing a novel.
It takes a lot of time to write a novel. So periodically I have to just forget that physics exists and enter the brain state necessary for writing fiction.
This blog is still in what I would consider a rough draft. I’m still going to experiment with themes and styles and features. I might move the location as well, so the url could change.
In the future, there will be more physics and math. I intend to blog through The Black Hole Wars chapter by chapter, starting in a few weeks.
I’ve migrated the Superstringtheory.com website to a new server and fixed many of the broken links and features. Eventually I intend to update the page code and the content and add new content on loop quantum gravity and so on.
I’ll be taking a fairly demanding fiction writing workshop over the summer, so the website update will probably not be happening until next fall.
I agree with Josh Levs that TSCC is worth saving. This show offers what I’ve always been looking for in science fiction, since I was a little girl: sci fi with a strong independent female point of view.
But it’s more than just that. One could imagine a shallow, empty TV show with a strong female POV. The POV is just one element in the total package.
TSCC has come up with the total package: an array of strong characters with heartfelt emotions and mysterious agendas engaged in a fight to the death that somehow manages to offer a rich and detailed commentary on human nature and the ongoing human relationship with technology.
As was pointed a number of times by the esteemed sci fi authors in the Sci Fi Grandmasters panel at the LA Times Festival of Books:
Since the future hasn’t happened yet, all stories dealing with the future are really about the present.
TSCC manages to say more about the present than any previous entry in the Terminator franchise. That’s partly because the story is set in the age of Internet worms and programmable unmanned military drones. We’re closer to building SkyNet purely by accident than we’ve ever been before.
This rich proximity to technology is both an advantage and a threat to Sarah’s campaign to keep her son alive and stop SkyNet. Sarah and John can find information on the Internet, but a Terminator’s brain can now travel online and search online records to find them too.
In addition, the advent of AI now gives us a reason to empathize with the machines. When Arnold came back as a reprogrammed Terminator to proptect John Conner, he was an appealing character, but there was never any ethical dilemma for John or Sarah as to whether he should be treated as equal to a human.
TSCC offers us Cameron, the girl version of Arnie’s Good Robot. Cameron is written as more than just a reprogrammed robot. She acts like a super-intelligent young woman who lives somewhere on the autism spectrum, as was pointed out by a child psychologist who interviewed the “Conner family” in one episode this season.
This seemingly casual reference to the autism spectrum digs much deeper into the human relationship with technology than any of the Terminator movies would have the time or energy to dig.
It appears that there is a new generation of TV writers out there who have some deep and complicated things to say about the human relationship with technology, and they’re using science fiction to say them.
I could go on and on about my love for this show. Instead I’ll just say — this is a show worth saving.
Left to right: Scott Timberg, Robert Silverberg, Harry Harrison, Joe Haldeman
I was a sci-fi fan when I was a little girl. I wish I could say when it all started. Maybe it was the giant pile of comic books at my babysitter’s house that turned me into a Superman co-dependent just like Lois Lane and Lana Lang. Or maybe it was the time I got the flu and someone gave me The Princess of Mars, the first book in the John Carter of Mars series by Edgar Rice Burroughs.
All my dolls traveled to Mars, even if I couldn’t.
Writer and blogger Scott Timberg moderated the panel, which included three prodigious producers of prime science fiction dating back to the 1950s era of pulp novels and Amazing Stories: Robert Silverberg, Harry Harrison and Joe Haldeman.
Silverberg began his journey as a child in New York City, enchanted first by the dinosaurs in the Natural History Museum and then by the stars and galaxies in the Hayden Planetarium.
Silverberg's most acclaimed novel has been restored and reissued
“But not even a New Yorker can say `show me a live dinosaur’,” he said.
He found science fiction listed under “pseudo-scientific fiction” in the library and became a fan.
“Many kids had imaginary friends,” said Robert Silverberg said of his childhood sci-fi fandom, “I had imaginary galaxies.”
When he was 13, he got the idea that he could write science fiction for a living. “It was a silly idea,” he said, “but it turned out to be true.”
Silverberg’s greatest work is considered by critics and fans alike to be Dying Inside. First published in 1972, the novel has just been reissued in trade paperback with a preface by Silverberg. You can read more about the author this recent LA Times article by Timberg.
Harry Harrison’s novel about an overpopulated Earth Make Room! Make Room! made a huge impression on me as a young fan. I appreciated strawberry jam a lot more, for example, despite being allergic.
The film Soylent Green is based on the novel, but changes the story in several important ways. For example, in the novel, “soylent green” really is made from soy.
Harrison remembers being a sci-fi fan before sci-fi existed, when it was just pulp novels. He and his friends lived a “grim and grey” existence until they opened up a book and “light poured out.”
Joe Haldeman reminisced about “books with rocket ships on the spine.” I remember those books! I read every single one of them in the library, just like Joe did.
After he’d read every sci-fi book in the library two or three times, he started buying books from a used bookstore in his neighborhood.
“It was like having a heroin dealer next door,” he said.
Haldeman’s most acclaimed work is The Forever War, recently reissued in a “definitive version” with a large chunk of the story restored that had been cut out before it was published.
I missed Ray Bradbury’s talk because I didn’t get my tickets in time. They went on sale at midnight but I waited until 9am to hit Ticketmaster. Foolish me. The man is popular, let’s just say that.